
- #Soft pro palette lens blur software
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Similar to the in-camera white balance correction function, the ‘Fine-tune’ pane lets you adjust the blue (B) versus amber (A) and magenta (M) versus green (G) tones in your shot. ‘Color temperature’ allows you to manually adjust the colour temperature in steps of 10K. ‘Click white balance’ calls up an eyedropper tool that you can use to select a neutral-coloured element in the shot as your reference point. To see the correction effect more clearly, you might want to uncheck the ‘Sharpness’ item further down the list. On DPP, you can adjust the DLO effect level on a scale from 0-100, where ‘100’ has the strongest correction effect. If it says “Lens data: Not available”, your image is either in an unsupported format (such as JPEG), or shot on a non-compatible camera or lens.
#Soft pro palette lens blur download
If it says “Lens data: No”, click on the refresh icon to download the lens data. Step 2: Check that the correction data for the lens you used is available. Step 1: Open your RAW file with DPP, and go to the tab with the lens icon on the Tool Palette. You still can apply DLO when you post-process the RAW image in DPP. But it wasn’t enabled when you shot, don’t fret.

On some cameras such as the EOS R system, DLO is enabled by default. Besides compensating for them in optical design, these factors can also be corrected with the Digital Lens Optimizer (DLO) feature. Optical factors such as lens aberrations, diffraction, and the presence of a low pass filter can cause image quality to deteriorate. Correct optical aberrations with Digital Lens Optimizer (Reported by: Kazuyuki Okajima, Digital Camera Magazine)ġ. Here are five essential adjustments to do in DPP to ensure the most natural-looking results.
#Soft pro palette lens blur software
Canon’s native Digital Photo Professional (DPP) software is designed to work seamlessly with your Canon camera, making the fullest of Canon-patented algorithms embedded in RAW files and letting you non-destructively bring out the best in your images.
#Soft pro palette lens blur free
Hoping someone else has seen this glitch and may know what's happening.Shooting in RAW allows more flexibility to shape your images, and if you are a Canon user, you have one feature-rich, RAW post-processing software available free of charge. Even adjusting the sliders had no effect - it remained a complete blur across the whole frame.Īs I mentioned, the 'normal' and 'very noisy' buttons in the Motion blur setting both work as they are supposed to, as do all of the 'out of focus' and 'too soft' in all modes, including 'very blurry'.

The result was an unfocused, gaussian blur look across the entire frame.no sharpening, straightening/etc at all - it just took the entire thing down to an abstract blur. I didn't technically 'need' it for a shot I was trying it on - but wanted to see how 'very blurry' would compare to 'normal'. I've been using Sharpen for a long time, but don't use it a lot - the newer versions since they added the 'very blurry' option I hadn't really used yet. One of us is dumb with predictable tastes. I find I frequently exhibit the same artificial intelligence as the program when it chooses to selectively sharpen what I would have chosen using masking. The more I use the program for routine sharpening, for which I think it can be amazing, I am finding that it is sadly prone to halos when there are dark objects superimposed a on a light background traditional sharpening tools are a better option for those situations, otherwise one has to tediously mask in what the program does to inside the edges of the dark objects on light background. Patience is required as even with a reasonably fast GPU updating the preview takes the time it takes. Sometimes a second run for part of the image, via masking, can help. It can help to vary the slider settings to see what works best for a particular image and possibly use the masking options.

The results aren't perfect but transform kind of bad to acceptable, a big win for my uses. I bought the program after just running a few problematic images with motion blur through it that yielded results that no other program came near.
